P h o t o g r a p h i c
“There is no longer any illusion to the size of our disarray.”
"At the beginning of this story, there were people made to forget it."
“Around the neighborhood, around its fleeting and threatened immobility
"Right here, nothing will ever happen, and nothing has ever happened."
“It was a drift of long days, where nothing resembled the day before,
« But nothing conveyed this present, devoid of way out or rest. »
“It is a vision of the world that has become objectified.”
"So empty, to scream, to scream."
"Even the atmosphere of public places betrays the despair and isolation
"The present moment is already that of the self-destruction of the urban environment."
"The vectorized time of the disaster."
"These transit zones trace an atopic geography where rootedness is impossible."
“The palace of other days
"Decomposition has won everything."
"Talk to me about forms, I am in great need of worries."
"We have undertaken to despair those who considered themselves as humans."
« "The vast, inhuman margin of life."
"The infra-ordinary in urban course."
"Then he went out into the cold streets and the sirens began to howl."
"A world put into pages by the boredom of its decline."
"These urban disasters have in reality, as their only function,
“The joyful unification, surrounded by desolation and terror,
"Urban planning will suffice to maintain the established order."
"The walls and the prepared green corners assign new limits to dreams and to thought."
"The irreversible instinct to make things matter."
"A space of transition, of an indeterminate edge between life and death."
"An empty, icy space, where only registered bodies,
"The main goal of the ideology of the ruling class is therefore confusion."
« They teach us the inevitability of routs. »
"He stumbled at every moment upon a word
"It is located in the very place of the writing of the book. On the side of death."
"That is what I am deep down: the guardian
They lost what little they had, and gained what nobody wanted..
“The palpitations of these vanished lives.”
"I have long sought the waterline of these amphibious bodies."
“We had decided that nothing would be defined
"The ephemeral and the instantaneous are effectively becoming
"Without dreams and without reality,
"Money is becoming the measure of our dreams."
"And their revolt became conformities."
Don't shout!!!
"He gradually found a metaphysics of refusal."
"Men are finally compelled to view their conditions of existence and
"There are times like that when the tectonic plates of our lives begin to shift."
"That is how what we glimpse on the horizon
takes on a mysterious grandeur."
"Nothing can prevent life from being absolutely thrilling.
"But all this belongs to an era that is ending, and that no longer interests me."
""The end of the story offers a sigh of relief
Gallery on
Exhibition at Bagneux
a n d l i t e r a r y
s i t u a t i o n i s t
d r i f t s

(Raoul Vaneigem)

(Guy Debord)

spread a half-known city where people met only by chance,
lost their way without return.”
(Guy Debord)

(Guy Debord)

and which never stopped.”
(Guy Debord)

(Guy Debord)

(Guy Debord)

(Guy Debord)

of private consciences, even the busy filling of space
is measured in dead times."
(Raoul Vaneigem)

(Guy Debord)

(Josep Rafanell i Orra)

(Christine Jérusalem)

Of yesterday and tomorrow”
(Noir Désir)

(Guy Debord)

(Paul Éluard)

(Guy Debord)

(Guy Debord)

(Yvan Chasson)

(Guy Debord)

(Raoul Vaneigem)

to make disembodied and interconnected territories profitable."
(Thierry Paquot)

at the tranquil center of misfortune.”
(Guy Debord)

(Raoul Vaneigem)

(Raoul Vaneigem)

(Raoul Vaneigem)

(Valérie Simonnet)

automotive molecules and ideal goods pass through."
(The Invisible commitee)

(Guy Debord)

(Daniel Denevert)

whose meaning he did not know."
(Georges Pérec)

(Annie Ernaux)

of what does not belong to us."
(Laurent Gaude)

(Guy Debord)

(Emmanuelle Lambert)

(Jacques Derrida)

Except by the finger placed by chance on the controls of a broken device.”
(Paul Éluard)

benchmark values, at the expense of continuity."
(Antoine Guiral, Paul Quinio)

To the pictures we are condemned"
(Raoul Vaneigem)

(Natanaële Chatelain)

(Guy Debord)

"I made her live in this way in insecurity and the most total terror."
(Louis Althusser)

(Guy Debord)

their mutual relations with a clear-eyed, disillusioned gaze."
(Karl Marx)

(Marie-Hélène Lafon)

(Marcel Proust)

We know how to make it happen."
(Guy Debord)

(Guy Debord)

to all existing authorities."
(Guy Debord)
Corridor Éléphant
(June 2026)
(June 2026)